![]() If your photo is a little dark, adding a stop, or doubling the amount of light will brighten the image. But with aperture being referred to as ‘f-stop,’ and hearing ‘stop’ apply to ISO and shutter speed as well, it can get a little bit confusing to keep track of it all (especially when there’s a mountain of new stuff to learn all the time)! But basically, a stop is a measure of exposure relating to the doubling or halving of the amount of light. You’ve probably heard the word ‘stop’ used in a photographic context a few times. Each of these variables are measured in stops. But it’s a start! Just remember that in order to maintain the correct exposure, if you adjust one variable, at least one of the others has to be adjusted as well. We’ll be the first to admit that the analogy isn’t perfect. There are always a few different ways to arrive at the correct exposure (and probably less ways to arrive at the ideal pancake). If you modify the light sensitivity of the sensor by increasing the ISO, you’ll have to shut down the aperture or speed up the shutter. Too watery? Add another scoop of flour! With an image, if you let more light in by widening the aperture, you have to balance it out with a fast shutter speed. If you add too much flour, you have to balance it out with more milk. There’s a perfect combination of flour, egg, and milk. In a really rudimentary sense, it’s like making pancakes. In balance, they contribute to a well-exposed photograph. If you’re reading this and thinking, “this would be a helluva lot better with a picture to illustrate what you mean!” we’ve got the hookup.Īs you can see, ISO, aperture, and shutter speed make up the three sides of the triangle. The balance we strike between these three factors allows us the freedom to translate our artistic genius into imagery. To arrive at the perfect exposure, there are three major vectors at play: aperture, shutter speed, and ISO. But we only learn the rules to break em, right? Before you rebels get too excited about setting rules alight, let’s get the basics down. Overexposure means blown-out highlights and midtones, and underexposure causes your shadows to be reduced to pure black, devoid of any information or texture. There are rules about exposing your highlights and shadows just so in order to get the most out of the details in your photograph. Technically, a correct and perfect exposure exists. ![]() It’s a measure of how bright or dark your image will be. For those of you only just emerging from underneath the rock you’ve lived under for the past few years, exposure is the amount of light captured by the image sensor of the camera. From the basics of exposure, aperture, and ISO, to getting colours to appear true to life by knowing the processes behind white balance, you’ll be a photography wizard in no time. We’ll lead you through one of the most difficult phases of photography and help you to understand the mechanics of that beautiful piece of technology in your possession. If you’re keen to learn how your camera works and see the world of photography open up to you as a result, dig your teeth into this, the beginner's photography guide. it’s a bit of a shame having such a well-oiled machine at your fingertips and only scratch the surface of what it’s capable of. In fact, most people who buy DSLRs never actually figure out how to use them properly. Many of the newer DSLRs have about a million functions that do a million different things, and it can feel like a long and daunting road towards complete mastery. Getting your camera to work for you requires time, attention, and practice. They’re both heavier than they look, extremely precious, and replete with indiscernible needs. As with a camera, they don’t quite know how to handle them. They hold them away from their body, looking at them like a foreign creature, nervously hoping they don’t start to cry. It’s kind of like witnessing someone who has little experience with children holding a baby. Handing a camera over to a non-photographer friend can be a mildly anxiety-inducing experience for them.
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